what matters most.

I continue to devote myself to recreating the fancy ball gown. When I am not in the studio, I am thinking about it. On BART, San Francisco’s Bay Area Rapid Transit system, I pull out my tablet and read The War of Art. In Book Three, Beyond Resistance, Steven Pressfield stresses professionalism. He describes the qualities to bring to my work that Resistance will not be able to overcome. And then he says the one thing that keeps me going back to the studio: “Because the most important thing about art is to work. Nothing else matters except sitting down every day and trying.”

So, I re-enter the studio, armed with a knowing smile. For the time being, I will devote myself to just the underskirt. Here is a peek at my process.

photo of fabric on ironing board 1. Draft the pattern.

2. Cut out the pattern.

photo of paper pattern

photo of prototype on model

3. Cut out and fit the prototype.

4. Review the underpinnings.

photo of model in petticoat and bodice

photo of pattern with hand-written notes

5. Re-draft the pattern.

6. Adjust the prototype.

7. Wait overnight for fabric to settle.

photo of paper pattern with scissors on drafting board

8. Check the length. (too long.)

DSCN2486

 

9. Adjust the pattern.

photo of pinning pattern to fabric

photo of cutting out the prototype

 

 

 

 

 

 

 

 

 

 

11. Let the whole thing settle again.

12. Start thinking about the next step.photo of prototype on model

xo, Nancy

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s